April 2012
“The NY Times has an article about yet another ridiculous bit of copyright law, the fact that moviemakers have to license artwork, even if they own the physical piece to show it in a movie. And it gets even worse, when you find out that the ridiculous position of the Artists Rights Society (think the RIAA/MPAA for artists) is that the newly released 3D version of Titanicneeds a new license, because its use of artwork is somehow not covered by the original license…
Why do we let this kind of craziness happen? Why don’t we, as a society, stand up and point out that it makes no sense. If you have possession of the painting, why shouldn’t you be allowed to use it in a movie? Even if you don’t have the painting. How is having that painting in the movie, in any way, harming the economic value of the painting? The answer is that it is not. If anything, it’s increasing the prestige and value of the painting… and it’s doing all of that for free. ”
Books have worked the same way, more or less, for centuries. They are a remarkably intuitive technology. Open, read, close. “Or if you have a photo album, you know exactly what that is,” says Bill LeFurgy, who works for the National Digital Information Infrastructure and Preservation Program at the library. “It’s self-evident. It’s self-describing.”
Now consider the disc, compact or floppy. The disc is not intuitive. The disc may contain photographs, but the disc will not show them to you unless you know how to open it — which, as everyone relocates to the Cloud, will become an increasingly antique skill. In 75 years, the disc will be modern civilization’s hieroglyph; the Rosetta Stone will be the yellowed user manual of an Apple IIe.
While books have endured unchanged, other forms of technology have bred with the speed of invertebrate insects, multiple generations each decade: 8-tracks, cassettes, CDs, flash drives, Google docs, Pinterest boards — old things abandoned for new things in increasingly short life cycles.
“I worry about this,” LeFurgy says.
” —Library of Congress’s collection preserves history of American culture (via thelifeguardlibrarian)